Getting custom shapes like this on a standard parametric EQ would take several controls and some patience, but with Colour EQ it can all be done with one fun little knob. When “Type A” is selected this merely scales the bandwidth, but with “Type B” this control combines with the Q setting to create resonant peaks similar to a formant filter. Sound + FeaturesĪlongside a more traditional EQ plugin, Colour EQ includes a second Q parameter for creating exotic filter shapes. While Colour EQ appears to be a standard parametric EQ, lurking beneath the surface is a novel twist that shakes things up. For those looking to bring the sound of an expensive studio classic into their DAW, this plugin is a no-brainer and deserves a place in anyone’s collection.
PTEqx is a real gem of a freebie generously provided by Ignite Amps. There don’t seem to be any presets included which is a missed opportunity, but you can copy and paste settings between multiple plugins with ease which is awesome for duplicating tones or mixing parts against each other. The GUI is clear and fresh, just be careful to note that CPS is Hz and KCS is kHz, a quirk of the original units that IA have kept.
This does mean locking off some controls or reducing their accuracy to a fixed set of values, but this actually lends purpose to each setting and enhances workflow by making sure you don’t fret over the exact details if they don’t matter.īecause of this, it is best to think of PTEqx as a tone shaper rather than as a problem solver. Like SlickEQ, different tube models are available and their effect on their sound is subtle but more pronounced with softer sounds as the extra harmonics are more clearly heard.ĮQ is all about tone and Ignite Amps have taken great care to ensure that everything here shapes it in a pleasing, musical manner. If you really don’t, you get both high and low pass filters on the output to limit the overall range of frequencies. PTEqx excels at shaping the mid-tone in particular and most controls are geared towards this range, but it absolutely can add beef in the low end or air in the top if you need it. If you’re no stranger to chasing classic studio tones, Ignite Amps have provided this generous free EQ modeled on a famous suite of hardware equalizers. If you’re a real big fan of what this plugin does, you might also want to check out the premium “gentleman’s edition” that adds a Japanese EQ model, several extra distortion types and other goodies like automatic tone matching. Those that need a quick tone-shaper with handy presets and a fresh look will find SlickEQ gets the job done with little fuss. Unfortunately, automation of the controls seems to be a no-go – presumably, the plugin has to do too much number-crunching every time a setting is changed and this results in clicks in the sound. Once again, subtlety is the key here and it’s difficult to hear much distortion even when playing with the ‘calibration’ control, though there certainly is a character that stock parametric EQs lack.Īnother handy feature is the automatic volume leveling to ensure that the audio coming out of the plugin is the same volume as what goes in, avoiding careless mixing mistakes where the louder signal is perceived as being better. Saturation shaping can be found in the ‘output stage’ section, offering 4 different models (‘silky’, ‘mellow’, ‘deep’ and ‘funky’). If you’re really struggling to hear it, first check that the ‘EQ Sat’ button is pushed in – it’s off by default and you’d be forgiven for thinking it’s merely a label. Subtle touches of saturation are applied designed for gentle harmonic enhancement rather than extreme heat.
#ACTIVE EQ SOFTUBE FREE VST PLUGIN MANUAL#
The four models (American, British, German and Soviet) change how the EQ plugin controls respond rather than the actual sound itself, and the manual includes helpful charts for those that want to nerd-out over the specifics.
#ACTIVE EQ SOFTUBE FREE VST PLUGIN PROFESSIONAL#
The first plugin to be tested is the very fine and professional looking TDR VOS SlickEQ, a free EQ that boasts a range of tone-shaping possibilities with a variety of EQ and saturation models. Your browser does not support the audio element.6 Best Freeware EQ VSTs/Plugins 1. The left and right channels can be adjusted individually or linked together. The passive and additive structure, together with unique “Warm” and “Saturation” algorithms, produces warm and pleasant sound, just like some of the most expensive vintage gear. About: Classic EQ is a 7 Band Stereo Equaliser with a warm analog sound, well suited to make non-surgical tonal corrections on all instruments, vocals and final mixes. Category: Equalizer You can see a photo of Classic EQ found to the left.
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